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    "anumber" : "A\u002010921", 
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    "description" : "Brustb.\u0020nach\u0020hr.\u0020mit\u0020Spitzenhalstuch,\u0020Halsschleife\u0020u.\u0020Schulterbandelier,\u0020vor\u0020konkav\u002Dkonzentrisch\u0020kreuzschraffiertem\u0020Hintergrund\u0020in\u0020o.\u0020und\u0020u.\u0020kreuzbeb\u00E4ndertem\u0020Blattoval,\u0020umgeben\u0020von\u0020Schriftrahmen\u0020\u201EEFFIGIES\u0020MARTINI\u0020KEMPII\u0020REGIOMONT\u005Bani\u005D\u0020PRUSS\u005Bici,\u005D\u0020LL\u003AAA\u003A\u0020\u005B\u003D\u0020Liberalium\u0020Artium\u005D\u0020M\u005Bagistri,\u005D\u0020ILLUSTRISS\u005Bimi\u005D\u0020\/\u0020CARPOPHOROR\u005Bum\u005D\u0020\u005Bd.\u0020i.\u0020Fruchtbringer\u005D\u0020COLLEGII\u0020ELECTI\u0020\u005B\u0026quot\u003Bder\u0020Erw\u00E4hlte\u201C,\u005D\u0020SERENISS\u005Bimi\u005D\u0020ELECT\u005Boris\u005D\u0020BRANDENB\u005Burgici\u005D\u0020HISTORIOGRAPHI\u201C\u0020und\u0020gro\u00DFen\u0020Lorbeerzweigen.\u0020\u2013\u0020Unter\u0020dem\u0020Oval\u0020Schriftband\u0020mit\u0020lat.\u0020Versen\u003A\u0020o.\u0020Distichon\u003A\u0020AEre\u0020notat\u0020Sculptor\u0020qualis\u0020sit\u0020KEMPIUS\u0020ore\u0020\/\u0020Qualis\u0020at\u0020ingenio\u0020KEMPIUS\u0020Ipse\u0020docet.\u0020\u0028Im\u0020Kupfer\u0020zeigt\u0020der\u0020Stecher,\u0020wie\u0020Kempen\u0020aussieht\u003B\u0020doch,\u0020welcher\u0020Art\u0020sein\u0020Geist\u0020ist,\u0020lehrt\u0020er\u0020uns\u0020selbst\u0029.\u0020Darunter\u0020l.\u0020lat.\u0020Devise\u0020\u201EBonum\u0020Meditemur\u0020Publicum\u201C\u0020\u005BDenken\u0020wir\u0020an\u0020das\u0020\u00F6ffentliche\u0020Wohl\u0021\u0029\u0020Darunter\u00204\u0020weitere\u0020distich.\u0020lat.\u0020Verse\u0020von\u0020Gottfried\u0020Zamelius,\u0020B\u00FCrgermeister\u0020von\u0020Elbing\u003A\u0020Orbem\u0020Fructiferi\u0020Decus\u0020ingens\u0020Ordinis\u0020ornans\u0020\/\u0020KEMPIUS\u0020ELECTI\u0020nomine\u0020Puncta\u0020tulit.\u0020\/\u0020Expressit\u0020Sculptor\u0020faciem\u0020Sed\u0020Copia\u0020quae\u0020sit\u0020\/\u0020Mentis,\u0020in\u0020Ipsius\u0020cernitur\u0020illa\u0020Libris.\u0020\u0028Die\u0020Runde\u0020der\u0020Fruchtbringenden\u0020Gesellschaft\u0020als\u0020gro\u00DFartige\u0020Zier\u0020schm\u00FCckend,\u0020errang\u0020Kempen\u0020unter\u0020dem\u0020Namen\u0020\u201EDer\u0020Erw\u00E4hlte\u201C\u0020Beifall.\u0020\u007C\u0020Der\u0020Stecher\u0020hat\u0020das\u0020\u00C4u\u00DFere\u0020wiedergegeben\u003B\u0020doch\u0020die\u0020F\u00FClle\u0020seines\u0020Geistes\u0020sieht\u0020man\u0020in\u0020seinen\u0020Schriften\u0029.",
    "technique" : "Radierung",
    "source" : "Vor\u003A\u0020Kempen,\u0020Martin\u0020von\u003A\u0020Polyhistoricum\u0020de\u0020osculis.\u0020\u2013\u0020Frankfurt\u0020a.M.\u00201680.",
    "date" : "1680",
 
    "thumb" : "https://image.hab.de/iiif/images/varia/portrait/a-10921/2010_standard_original/a-10921.jp2/full/150,/0/default.jpg", 
    "url_artwork" : "https://portraits.hab.de\/werk\/16299" 
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