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{
    "anumber" : "A\u002026050", 
    "id_work" : "25728", 
    "persons_repr" : "Gilonne\u0020d\u0027Harcourt,\u0020comtesse\u0020de\u0020Fiesque",
 
    "artists" : "Beaubrun,\u0020Charles (Maler); Beaubrun,\u0020Henri (Maler); Huret,\u0020Gr\u00E9goire (Stecher)",
    "description" : "Fast\u0020Halbf.\u0020nach\u0020r.\u0020vor\u0020gemustertem\u0020konkav\u002Dkonzentrisch\u0020kreuzschraffiertem\u0020Hintergrund\u0020in\u0020angeschnittenem\u0020mit\u0020Blattkranz\u0020umgebenem\u0020ov.\u0020Rahmen\u0020auf\u0020gemustert\u0020parallelschraffierter\u0020Br\u00FCstung,\u0020darin\u0020Tafel\u0020mit\u00206\u0020frz.\u0020Versen\u003A\u0020Venus,\u0020dans\u0020ce\u0020diuin\u0020portrait,\u0020\/\u0020Voyant\u0020de\u0020ses\u0020beautez\u0020iusques\u0020au\u0020moindre\u0020trait,\u0020\/\u0020Se\u0020figura\u0020d\u2019abord\u0020en\u0020estre\u0020le\u0020modelle\u003B\u0020\/\u0020Le\u0020regardant\u0020mieux\u0020toutefois,\u0020\/\u0020Pourquoy\u0020tant\u0020de\u0020graces,\u0020dit\u0020elle\u0020\/\u0020Car\u0020iamais\u0020auec\u0020moy\u0020ie\u0020n\u2019en\u0020vis\u0020plus\u0020de\u0020trois\u003F",
    "technique" : "Kupferstich\/Radierung",
    "source" : "Widmungsportr\u00E4t\u0020vor\u003A\u0020Regnault\u0020de\u0020Segrais,\u0020Jean\u003A\u0020B\u00E9r\u00E9nice.\u0020Tome\u0020I.\u0020\u2013\u0020Paris\u003A\u0020T.Quinet\u00201651.\u0020\u005BHAB\u003A\u002057.3\u002D6\u0020Eth.\u005D",
    "date" : "1651",
 
    "thumb" : "https://image.hab.de/iiif/images/varia/portrait/a-26050/2004_standard_original/a-26050.jp2/full/150,/0/default.jpg", 
    "url_artwork" : "https://portraits.hab.de\/werk\/25728" 
}     
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